The Whitney Center for the Arts at Sheridan College in Wyoming is hosting an invitational exhibition focusing on how artists use the variety of finishes for their artwork attainable from "Wood, Soda, Salt: Atmospheric Dynamics" firing conditions.
"Wood Fired" is a group exhibition participating in the NCECA Conference. The exhibition is being held at the Pittsburgh Center for the Arts along with several other exhibitions, including the Annual Student Juried Show. Invited Artists include: Aaron Anslow, Scott Cornish, Joe Delphia, Perry Haas, Bryce Hemmington, Christian Kuharik, Justin Lambert, Matt Schiemann, and Tim Sherman. A couple of my favorite wood fire potters are in this show, I'm excited to see it all come together.
Industry and Imagery is a group exhibition during the NCECA Conference in Pittsburgh, PA March 13-17. Participating artists include Justin Rothshank, Jamey Biggs, Mark Arnold, Bobby Tso, Kyle Houser, Dan Kuhn, and myself. The location and address are: Ton Pottery 220 North Ave. Millvale, PA 15209 I've already set aside a group of pots for this exhibition from the last firing in the Jupiter Anagama.
I'll be showing work with Danny Meisinger's "Spinning Earth Pottery" Gallery space in the NCECA EXPO. Danny, Cathy Broski, Susan Filley, Fong Choo, and myself will each have a healthy selection of work for sale. The EXPO is located near the entrance of the "non-profit/exhibitor hall". I'll be spending time around the booth catching up with friends, answering questions about my work, and meeting some new folks. Stop by, say hi, and check out some really nice work from so many great artists throughout the EXPO. More info about NCECA, and all the events on the NCECA Website.
Friday morning, December 1 at 8am Mountain Standard Time, I'll update my Etsy Shop with around 60 new pots. This group is partly from the Taos firing with Logan Wannamaker, and the last firing in my Jupiter Anagama this past August. There are plenty of plates, bowls, mugs, cups, flasks, teapots, vases, and one serving bowl that would be spectacular as a centerpiece for your holiday meals. I'm offering FREE DOMESTIC SHIPPING on everything to help with your holiday shopping. Have a look at the shop, pots make great gifts!
Sanjay and Jigna looked carefully at my studio and gallery during their visit while in Florida, and requested a few specific items for me to send to the Gallery. This is the first time they will show my platters as well, I sent two up for the show from the Spring firings. The pots in the show are from the April firing of my Jupiter Anagama, and a few from the Ashfest firing in North Carolina. Expect to see the trademark colors inherent from my kiln, and local wood, as well as the rich oranges we see from the Ashfest firing each year. The porcelain looks spectacular in Dan Finch's kiln, I've not seen my porcelain do this in any other kiln thus far. This will be one of the last opportunities to obtain my work fired in the Jupiter Anagama. My entire palette is about to change from new kilns, different wood, and experimental clay tests from the area. Please take a look through this show, I think you'll like what you see...
The folks at STARworks have been working hard to assemble a woodfire conference to include the many aspects of the tradition of firing with wood in North Carolina. There are many events associated with the conference, so be sure to check out there website for all the information. I will be participating as a panelist, lecturer, and have work in the Invitational Exhibition.
This will be our 4th Ashfest Annual Firing Workshop, and will certainly be the best yet! Hosted by Dan Finch, of Bailey, NC, Logan Wannamaker and I lead the group for the loading/firing, studio tours, local clay exploration, wiffle ball, golf, cycling, disc golf, campfires, etc. We've hosted 65 wood fire artists in the past few years, and it has been a real treat working with so many great stokers.
This is likely to be the last Ashfest for a few years, so if you haven't been able to join us in the past this is the year to make the trip. There are several spaces remaining, so if you are interested contact Justin immediately. You can also checkout the Ashfest.com website. The dates are May 28-June 10, join us for an amazing firing experience and learning about the legendary pottery tradition in North Carolina.
"Updated 2/23/2017" We are offering free camping with access to all amenities, and the 1 bedroom penthouse apartment above the studio is available. The guest house is pretty much full. If you prefer hotel accommodations, Wilson is about 15 minutes away with most all modern conveniences.
The Dirty South Cup Show is in its' third year hosted by River Oaks Square Art Center. This year Matt Long is the juror, and workshop artist. Matt invited a group of artists to participate in the "Friends of the Juror" component of the Dirty South Cup Show, and I'll be sending a few pieces from the late February Anagama firing.
Each year Avra Leodas, owner of Santa Fe Clay, invites an incredible group of artists to send work for the "La Mesa" exhibition. I'm beyond thrilled to participate in this show each year amongst so many potters whose work I admire. This is a must see on your show route, and is always located within walking distance of the Conference Center.
I'll be working with Red Lodge Clay Center this year at NCECA in Portland, Oregon. The EXPO is a grouping of galleries located adjacent to the resource hall. There are many great artists showing work, be sure to give yourself enough time to see the everything. You also might want to leave some room in your carryon to bring home a few pots ;)
I'll be conducting a demo workshop in New Jersey at The Center for Contemporary Art in Bedminster, NJ. My friend John Reinking has been teaching classes there, and firing his new wood burning kiln located close by. I'm excited to meet the students, have great conversations, and help them understand how and why I make my work. Registration is open, and filling quickly, hope to meet some of you there!
I'm honored to be invited for a second consecutive year as part of the 42nd Annual Pottery Show and Sale this December 2, 3, 4 at the Art School at Old Church in Demarest, NJ. Mikhail Zakin, the founder of Old Church, began this event as a fundraiser to help build the art center near her home town. Karen Karnes, Chris Gustin, and Bruce Dehnert carefully selected thirty potters including both well established, and emerging artists for this years show. I can't wait for this exciting show with many of the potters I've admired for quite some time.
I'm organizing a group of work for the one day BLACKFRIDAY Etsy sale in my shop. Use the code BLACKFRIDAY for a significant discount on your order, you'll have to use the code to find out how much... The work is from the last anagama firing in my kiln we unloaded this past Saturday. There will be an especially nice selection of plates in the show.
It's not often I have open studio events, and the past two years were too tight with travel plans to have a Holiday Sale. This year is different, we will gawk over the new wares fresh out of the kiln, and enjoy each others company. Everything in the gallery will be on sale this Saturday, including the larger pots I've been working on for the past year. We just had a fantastic firing, and will be unloading this Saturday, November 19 from 10-2. If you are in the area, be sure to stop by to see the unloading and start your holiday shopping. Everything in the gallery will be for sale with a "special discount". You'll have to come see for yourself if both of my large jars from the front of the kiln survived the 3 day firing burning just under 3 cords of oak, and 2 exotic wood species local to this area. We hope you can join us.
Each year AKAR assembles a group of artist to send work for their show honoring the favorite drink of so many people, coffee. Some must have it to start their day, others enjoy it as a tasty almost dessert type of beverage. This year I sent some mugs of the size most of you have seen before, but I also sent some of the smaller mugs I've been working on for the past year. With 54 artists sending 5 mugs each, this is the show if you are looking for a new mug in your collection :)
Doug Jeppesen is busy putting together the "Wood Fire Symposium", hosted by Waubonsee Community College in the fall of 2016. If you don't know about Waubonsee, it's one of the very best woodfire programs available in the country. As I write this, there are 6 wood kilns under the state of the art kiln shed. Knowing Doug, there could be a few more by the time the conference rolls around. The pieces are coming together, and the list of presenters is impressive and growing. I'm honored to be included in the Symposium, and look forward to the pre-conference kiln firings. Keep checking Doug's website and Waubonsee Community College for updates as things progress.
This will be the third incarnation of my "Smoke Reduction Chamber Anagama Kiln Design". Tate Rich of Bisbee, Arizona will be hosting the project at Cochise College. Tate has been running the program for several years, and is very excited to enter a new chapter at the College. Wood kilns build community in so many ways, as it takes several to many people to fire an anagama. This will provide an exciting opportunity for students, and local artists to build a wood firing community in Bisbee, AZ. I can't wait to bring this project to Bisbee, and visit one of my favorite parts of the country.
Jack and I have met a few times over the years, however it wasn't until this past December at Demarest where we started a conversation about our experiences wood firing. When Jack asked if I would join him in leading the 29th year of his "Komuri" anagama kiln firing, I was swept with emotions. Fired once per year for 5 days, I've many friends who have fired with Jack in the past years. I remember receiving a copy of his book, "Woodfired Stoneware and Porcelain" at my undergraduate Florida Atlantic University graduation party in 1999. I mixed everyone of his recipes in that book, and learned quite a bit from a man I'd never yet met.
Pewabic Pottery is hosting it's 26th Annual "For the House and Garden" show this summer, and I am thrilled to participate again this year. I'll be sending up about 30 pots from the March Anagama firing in my kiln, including several plates. I know the plates can be hard to come by, so make a trip if Pewabic is close to you. The show is open 10-6.
I am honored to continue to be part of AKAR Gallery's "Yunomi Invitational". Each year AKAR invites around 100 artists to send 5 yunomi for their annual show. A large portion of the proceeds donated from each artist help support The Studio Potter publication. I sent 5 side fired drippy yunomi from the March firing for the show ;)
I'm headed to ECU to fire a medium sized sprung arch tube kiln with an enthusiastic group of students. Jim Tisnado and I nearly crossed paths at Indiana University in the early 2000's, but just recently connected. I'm excited to work with Jim, and his students for a week long wood firing workshop!
Trackside Studio and Gallery in Spokane, WA put together a great invitational show in homage to the "bowl". I've worked with Trackside before, and they assemble a stellar group of potters for their shows. I'll be sending some bowls fired in my anagama this fall for this show.
I've been working with Lillstreet Art Center in their sales gallery, and select exhibitions for several years. I'm always excited to send some new pieces I've been working with for their holiday exhibition. Visit Lillstreet during this exhibition to do some holiday shopping, and see work by a very talented group of ceramic artists I'm honored to be showing work with.
I'm participating in "Earthy Treasures Holiday Showcase" again this year, hosted by the historic Pewabic Pottery in Detroit, MI. There is an opening reception November 12, which is a wonderful opportunity to do some holiday shopping! I'll have work from the most recent firing in my Anagama. We have been using some different wood lately, and the results have been quite extraordinary. Visit Pewabic Pottery to see some of my most recent work.
This fall I'll be visiting Northern Arizona University, Flagstaff to fire their anagama. Jason Hess leads the ceramics program, with assistant professor Steve Schaeffer, and technician/instructor Jason Bohnert. NAU has several amazing wood kilns, and I can't wait to start loading their anagama as part of Steve's woodfire class. One of my favorite parts of my career is loading and firing new kilns, and I couldn't think of a more exciting woodfire program to be a part of.
This workshop will include the building, and firing of my Anagama design including the smoke reduction chamber in Taos, NM. Logan Wannamaker, former owner of Taos Clay, and my firing partner at "Ashfest", has been working tirelessly building a home studio for the past year and a half. Logan's anagama design is a bit larger than my kiln, includes a charcoal chamber, and the smoke reduction chamber. This design also includes a larger, grated firebox, and oversize chimney to help with issues associated when firing at high altitudes. Join us for this unique experience in building another version of my teardrop, smoke reduction design.
Kate Biderbost and Matthew Groves invited a group of 10 potters to participate in this "place setting" type exhibition in the Ralph Arnold Gallery at Loyola University Chicago. Their vision of creating a dining table with very different styles of pottery will surely be an exciting experience. Their description is copied below:
"This exhibition features a group of artists whose work is an exciting fusion of form and surface, drawing attention to the paradoxical nature of pottery, which is sculptural and utilitarian. It invites us to consider the non-visual evocative qualities of touch and use particular to pottery.
Each artist has provided a complete place setting, including dinner plate, salad or dessert plate, soup or cereal bowl and a mug or a cup and saucer. Made from a variety of materials, which help to define how casual or formal the meal setting is, these exquisite forms elevate the experience of eating when in use, and enrich the domestic interior when at rest.
Some of these artists consider their work to be three-dimensional abstract or gestural paintings, others feature playful illustrations of the observable world, or reference inspirations as diverse as mountains and the experience of water.
For all the artists in the exhibition, the experience of making pots is an emotional, aesthetic and intellectual investigation, involving a knowledge of culinary and cultural history. The exhibition hopes to highlight that when in use, pottery fully engages our senses, sight, smell, taste, and touch."
Curated by Matthew Groves and Kate Biderbost
Seth Green, ceramic artist and educator at Morehead State University invited a group of 24 artists who utilize a wood kiln as an integral component to self expression for they work. The list includes some of my personal favorites, and the exhibit will contain some serious wood fired gems.
I recently sent work from the April firing of my Anagama to AKAR in Iowa City. The selection is now posted online featured under the "New Work" category on the front page of their website. Many items (such as plates) moved very quickly, yet there are some really nice bowls, cups, and a juicy vase still available.
Eva Champagne is assembling a group of contemporary woodfire ceramic artists for this invitation only show to be held during Salida's annual Art Walk. I am excited to see the list of artists grow, and look forward to sending some new work for this show. I'll be sending pots from the March firing in Chris Gustin's Anagama.
I'll be up at Peters Valley for 5 days this summer to conduct a woodfire workshop in the noborigama. If you are nearby, come on out for the firing ;)
Utilizing the 2 chambered noborigama participants will focus on careful loading of the kiln to maximize the development of flame markings, and ash melt. During the woodfiring careful observations will be made on the atmospheric conditions, flame speed, and ash melt. Because stoking patterns and intensity are very important to the success of the firing, Justin will develop and explain systems to keep everyone in the firing crew on the same "game plan". Students need no prior experience in woodfiring and will leave with a better understanding of what happens in a wood kiln and with firing knowledge applicable to other wood kilns in the future. Please bring bisque-fired work (made of high temperature stoneware or porcelain) ready to fire for this workshop.
I'm making a stop at Tyler Park Center for the Arts in Richboro, PA June 1-4 to conduct a wood firing workshop in their Manabigama wood kiln. I've fired several of these "manabigama" kilns, achieving some very nice results with a few adjustments to the kiln. These kilns are very easy to fire, and are great for learning about wood firing. We'll spend a day loading, and about 30-35 hours or so firing. I'll spend an afternoon throwing some pots, then we will unload and discuss the results June 4. Contact Gloria Kosco to signup, registration is limited so don't think too long about this opportunity.
We'll be loading up Dan Finch's "Mama" 600 cu ft Anagama for the second annual "Ashfest" firing workshop. Dan has a 250 acre blueberry farm in Bailey, NC, along with studio, housing, gas kilns, and a big, beautiful Anagama. The 2 week workshop was a huge success the first time around, and we have great ideas to make the next one even better. Check the Ashfest.com website for all the info! Hope to meet you in Bailey :)